His Masterpiece

Émile Zola

His Masterpiece — His Masterpiece, sometimes translated as “The Work” or “The Masterpiece,” is Zola’s 14th entry in his Rougon-Macquart series of novels. In it we see Claude Lantier, a painter with obvious talent, struggle to leave a revolutionary mark on the art world of 19th-century Paris. The novel deftly explores the themes of genius, poverty, purity in art, art as a bureaucratic institution, obsession, and madness. The book is notable not just for its accurate portrayal of the art world of the time, but also for the interesting personal details Zola incorporated into the book. Lantier combines traits of several famous painters Zola personally knew, including Paul Cézanne, Claude Monet, and Édouard Manet. His early painting Plein Air echoes Manet’s revolutionary Le Déjeuner sur l’herbe. The novel was long blamed for ending Zola’s friendship with Cézanne, but a surviving letter from 1887 challenges the claim of a definitive break. Zola himself includes a self-portrait, as the character Pierre Sandoz. Vizetelly’s translation is fresh and readable, and Zola’s rendition of Paris and the surrounding countryside is vibrant and engrossing. Rarely do we get such a close and engaging window into bohemian life in old Paris.

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